
"A picture is worth
a thousand words."
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SPEECHES BENEFIT GREATLY
FROM USING EFFECTIVE PRESENTATION AIDS. Just as a sentence in capital red letters stands out from all
others, a speech with carefully thought out and prepared aids will stand out to the
audience. |
Generally
we consider anything that will assist the audience in their understanding of, and that is
in support of your message, an aid. An aid may be visual, auditory, or a
combination - such as television and film. |

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When planning for presentation aids it is
important that you think of those aspects of your speech that may be difficult for the
audience to understand from words alone. For example, most people find it difficult to
remember numbers, or they may have trouble visualizing items or process from your oral
description. |
While
the requirement may be that you use one aid, we can assure you that the quantity is
a minimum, not a maximum. Your audience will gain greater comprehension if you use aids
appropriately. You may find that your speech needs two or three aids, all of different
types. |
One word of caution
- you can use too many aids. You can have so many that they actually detract from
the message by distracting the audience. |
One question you're sure to ask is,
"What can I use as an aid to my speech?" Although we can't provide you with a
specific answer to your question (since we don't know your topic), we can point you in the
right direction and give you some specific guidelines to follow. |
We'll discuss the criteria for the
use of presentation aids, the various forms of support materials, and easy ways of
gathering or making the aids. |
CRITERIA FOR AIDS
TO THE SPEECH
An aid is not
something that you throw together at the last minute simply because your instructor
requires that you use one in your speech. There are criteria that you must be aware
of before you select the aids to your speech. |

The best speech aid in the world
is of no value, and will actually be a distraction, unless the audience can see it, or
hear it, CLEARLY!
Have you been in a presentation
where the speaker used some visual aid that you couldn't see?
Or there was so much information
on the visual that you were distracted trying to read it and understand what it meant?
Were you annoyed, perhaps to the
point where you "tuned out" and thought about anything other than the speech?
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VISIBILITY
THE AUDIENCE MUST
BE ABLE TO CLEARLY SEE AND/OR HEAR YOUR AID. |
Things
that you show must be large enough for the people in the very back of the room to see
clearly. That does not mean that a photograph or chart in a book cannot be used; it does
mean that you have to make it large enough to be seen. |
| Think of visibility also
in auditory terms. Is the audience able to hear and understand an audio tape or the audio
portion of a videotape? There is nothing worse or more distracting to a generation raised
in our era of stereophonic digital surround-sound than poor sound quality. |
| Finally, visibility
refers to duration, or the length of time the aid is used. Using an aid for one or two
seconds will probably not give the audience enough time to study and understand its
content. Conversely, leaving an aid "on" when you are no longer using it will be
distracting. The more complex the aid the longer the audience will need to study and
assimilate it into your message. |
| RELEVANCE
THE AID MUST APPLY
SPECIFICALLY TO WHAT YOU ARE DISCUSSING AT THE MOMENT.
Supporting materials must be relevant
to your topic. The one question you do not want your audience to ask is "What does
that have to do with what they are saying?" Neither do you want your audience to say
to themselves, "Gee, I wish they had shown me that when they were talking about
it."
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INTEGRATION
THE AID MUST BE AN
INTEGRAL PART OF THE SPEECH, NOT AN ADJUNCT TO IT.
Use supporting materials at
specific points during the speech, when they apply to what you are discussing. Otherwise,
remove the aid so that the audience's attention is on you, the speaker. |
CLARITY
THE AID MUST BE
UNDERSTOOD BY ITSELF AND REQUIRE A MINIMUM OF EXPLANATION.
The aid must be designed and used
so that the audience almost immediately understands what it means and how it relates to
your topic. It should not be necessary for you to give the audience a great deal of
explanation for them to understand your aid, and its relevance to the topic. |
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PROFESSIONAL
THE AID MUST APPEAR TO BE PROFESSIONALLY PREPARED.
The presentation aid must seem to
the audience that it was prepared by a professional. Visuals that are hand lettered,
sloppy and dirty, or that have misspelled words will decrease your credibility, probably
to the point where the audience will question if you know what you're talking about. |
| TYPES OF VISUAL SUPPORTING AIDS
Visualization helps the audience
understand messages. One reason the majority of Americans watch television news rather
than reading the newspaper is the visuals help them understand what is happening, and it's
much more "real" to them.
There are six categories of aids
that help the audience understand your message. Aids can be items that you make yourself,
or that you find from other sources. |
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REALIA
The term realia is based on
the word real - objects that are exactly what you are discussing. An informative
speech on GETTING STARTED IN SCUBA DIVING will be much more meaningful if you bring
a wet suit, fins, mask, tank, regulator, and related equipment to illustrate each of the
required items.
Using realia is not appropriate in
all speeches. An informative speech on CHOICES IN BIRTH CONTROL will probably not
benefit from the display of condoms or other devices. They add little that is relevant to
the presentation, they may cause some degree of distracting embarrassment among members of
the audience (particularly a mixed male/female audience), and they are generally too small
be seen by everyone in the audience. A much better choice for a supporting aid could be a
graphic showing the relative effectiveness of each method of birth control.
Ask two simple questions about
realia - will the audience better understand my speech if they can see the actual
object(s), and does the realia meet the criteria of visibility, clarity, relevance, and
integration? If your answers are yes, using realia is probably appropriate! |
MODELS
When it is not possible to
bring the real object as a support aid, consider the possibility of using a model of the
actual object. Models are representations of the real thing. They may be scale models,
that is small versions of larger objects or larger versions of small objects, or actual
size substitutes. They must meet the criteria of visibility, clarity, relevance,
integration, and professionalism.
A speech about THE
ARCHITECTURE OF THE ROMAN COLISEUM could be aided by a reduced size scale model of the
coliseum, while a speech on NUCLEAR ENERGY may benefit from an enlarged model of a uranium
atom. An informative speech about THE NATURE OF CHIROPRACTIC MEDICINE would help the
audience understand the process of spinal adjustment if you used a life-size model of a
skeleton.
Models can be easy to obtain.
Your biology professor may be able to loan you a full sized skeleton, or know where you
can find one. Talk to people who are knowledgeable about your subject. They may have
exactly what you need, or know where you can get it. That's one of the nice things about
studying in a college or university - there are experts in many fields available right on
campus, and most are delighted to help a determined student.
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PICTURES
When you can't get the real thing,
or a model, a picture may be an important and essential substitute. What would a speech on
THE ARTISTRY OF MICHELANGELO be without representations of his paintings? We
understand that it is highly unlikely that you will have an original Michelangelo in your
private collection, or be able to borrow one. You may be able to get a model of DAVID to
show the class, but it would be impossible to bring the ceiling of the Sistine Chapel to
the speech except by pictures.
The criteria of visibility becomes
very important when using pictures. Chances are the picture you want to use will be too
small for the audience to see clearly. This does not mean that you can't use it! It does
mean that you will have to change how you show it. We discuss enlarging pictures a
little later.
There are numerous sources of
pictures.
TAKE THEM YOURSELF
PHOTO FILES
Libraries, academic departments,
and newspaper offices have collections of slides and photographs on a wide variety of
topics.
One of the best sources of images
on line is Ditto-dot-com
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| Saving images you find on the
Internet is easy - if you know how.
PC users - when you find the image you want, place your
cursor on the image.
Right click your mouse.
Select Save As.
Save the image to your floppy drive [or hard drive].
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| GRAPHICS
Graphics help the audience
understand concepts visually through charts, graphs, and diagrams. It is essential that
you prepare materials in a way that the content is clear and understandable with minimum
explanation.
Limit graphics to a single
concept or idea. Notice that David Letterman's "TOP TEN" lists are revealed one
at a time, and that there are never more than five items (usually fewer) on the screen at
any one time.
Prepare your graphics so that
there are a maximum of 7 lines of information, and that the type style is large enough
that each letter is 10% of the height of the total graphic.
Remember - the audience will not
remember numbers!
If you want the audience to
understand that the stock market has declined recently. DO NOT
read them the Dow Jones closing averages for the past 12 months. DO NOT even make a list of those numbers on a graphic.
DO
convert the numbers into a line graph. The downward slope will graphically explain
the downward trend!



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Some possibilities for graphics
include:
DIAGRAMS
explain how a process works.
explain how things move from one
point to another.
illustrate how items interrelate
(i.e. a flow chart showing the process of manufacturing a surf board).
CHARTS
GRAPHS
The type of graph you
use will depend on the information you need to display.
A PIE GRAPH
is particularly well suited to show percentages in relation to the whole (100%).
For example, your speech on CURBING
THE FEDERAL DEFICIT may use a pie graph that displays what percent of the pie goes for
defense, what percent for deficit reduction, and so on.
The LINE
GRAPH is useful to depict relationships that change over time.
The audience may understand the
growth of the national debt better if you show them a line graph that indicates the
increase in the federal debt during each of the past 5 decades.
The BAR
GRAPH is well suited to show relationships between two or three factors.
The audience may better understand
the magnitude of the national debt, and recognize their personal involvement, if you
compare the increase in the debt with the increase in their income and the cost of living
index over the past decade.
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Videos, with or without the sound,
offer advantages over other forms of visual aid.
MOTION
Does your topic requires that the
audience to see something in motion to be fully understood?" (e.g. THE
FUNDAMENTALS OF SYNCHRONIZED SWIMMING.)
LOCATION
When it is not practical for us to
move our entire audience to another location, use video to bring the location to the
audience.
SAFETY
Safety is important when there is
the possibility of danger to the audience. (e.g. a chemical experiment may be
pre-recorded)
PRECISION
If there's the chance that
something will go wrong, pre-recording the event eliminates any risk of failure, unless
you not completely familiar with the equipment.
TIME
Time is important to topics with
historical elements or that take place too fast or too slow for us to see. You can use
documentary video, time-lapse, or time-condensed video to show events beyond the
audience's normal perception.
ENLARGEMENT
When it is impossible to enlarge
an object in any other way you can use a television camera and monitor to make the image a
size that the audience can see.
Three of the most useful sources
of videos include the library, video rental stores, and your home VCR.
AUDIO
Things you hear are seldom
used presentation aids because most speaker's don't think of them as "visual
aids." They can be very useful in specific situations when it is important that the
audience hear something to fully understand your message, but that seeing what is creating
that sound is either distracting or inappropriate.
A speech on the SYMPHONIES OF
TCHAIKOVSKY may benefit from a short passage from The Nutcracker Suite, but the
audience may become distracted from your main point if you include the video of the
ballet. |
Video and
Audio
The use of audio and video
information as support for speeches can be very effective when used properly. They can
also be difficult to prepare and integrate effectively into the speech.
Videos should occupy a fairly
small amount of time during the speech (10% maximum.) The audience is there to see and
hear YOU, not a television program.
Videos are often difficult for
the audience to see because they are played on a small screen with most members of the
audience sitting too far away.
A good rule to follow is that
you should have no more than one person watching for each inch of screen, and that they
are seated in no more than a 45o angle from the center of the screen.
If you have a 25" (measured
on the diagonal) television set available the maximum audience size is 25 people. Even
that may be too many, because audience members towards the back may not be able see small
details.
Make sure that both audio and
video aids are cued to their exact starting point well before you start the speech. If you
are using different portions of the same tape, or segments from several tapes, it is STRONGLY
RECOMMENDED that you edit them onto a separate tape in sequence to save the time of
skipping to another section or changing tapes.
Any audio must be loud enough to
be heard but not so loud as to cause discomfort or distortion.
Using video and audio in speeches
always seem to prove Murphy's Law:
What ever
can go wrong, will, and at the worst possible moment.
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PREPARING AND USING
SUPPORTING MATERIALS
When planning your presentation
aid there are some simple things to remember.
Make sure that the aid is large
enough to be seen clearly!
Make sure that you know how to
operate both the aid and the equipment required to use it!
Make sure that the equipment
will be there when you need it!
Rehearse with the aid several
times!
Assume that whatever can go
wrong, will! The more complicated the equipment required to display your aid, the more
likely something will go wrong with the presentation. It is best to have an alternative
plan in case something goes wrong.
Even if something goes wrong and
your aid doesn't work, you can still give an effective speech! You may have to
change your plans, such as drawing a diagram on the chalk board when the projector doesn't
work.
Aids are NOT huge cue
cards or crutches - they are things to help the audience understand!
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| ENLARGING IMAGES
Pictures and photographs are
generally too small to be used as a visual aid. A photograph may illustrate exactly your
main point but it will probably be visible only to those people in the front row. Holding
up a book that has a picture to illustrate your point is unprofessional and unacceptable.
The image is too small, and you have the added distraction of fumbling with the book.
There are effective and easy ways
of using pictures and illustrations - enlarging the image by using a projector. There are
three types of projectors available for different situations - the opaque projector, the
overhead projector, and the slide projector.
As with any visual aid,
integrate the material into the presentation. Do not simply have it "on"
and not refer to it. Turn off the projector when you are not using it as part of your
immediate presentation, and always turn it off when you are changing images. [Most slide
projectors have a shutter that blocks the light when the slide is being changed.]
It is essential that you
"check-out" the projector before you begin your speech (preferably before the
class) to make sure that you know how to operate it, that the bulb works, and that it is
properly focused. Although it may not be your fault that the equipment doesn't work, it
will still reflect negatively on you (loss of credibility and you will seem to be
unprepared) if it's not perfect.
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| OPAQUE PROJECTORS
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The opaque projector
is used to project and enlarge flat materials that light cannot pass through. A page from
a stamp album for an informative speech on POSTAGE STAMPS OF AFRICA can be enlarged
so that the audience is able to see what you're talking about.
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ADVANTAGES
The item can be used in its
original form.
Little advance preparation is
required.
DISADVANTAGES
The entire page or pages will be
projected. Any material that is adjacent to the picture or illustration will be seen by
the audience. Cutting a mask that covers the area you do not want seen is important to
eliminate distractions.
Opaque projectors do not provide
a very bright image on the screen. It may be necessary to turn off some or all of the
lights, at least those in the area of the screen, to make sure that the image is clear and
understandable.
Opaque projectors are the
dinosaurs of the media world and are not always available.
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| SLIDES |
Slides were almost always
preferred when time, money, and facilities permitted. A slide will produce a large
and brilliant image on the screen, but they can be problematic! It helps to have a
"helper" stationed at the projector in case it malfunctions.
With the introduction of digital
technology and better video projectors, slides have become somewhat outdated except in a
few cases.
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ADVANTAGES
You can copy illustrations and
pictures from a book or other source - providing you do not violate copyright laws.
The image is clearer, brighter,
and sharper. Although it's generally advisable to dim the lights around the screen, it is
not usually necessary to darken the entire room when using slides.
Most full-service graphic and
copy stores will make the slide for you at a reasonable cost if you do not have the
equipment to make the slide yourself.
DISADVANTAGES
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| OVERHEAD PROJECTORS |
The overhead projector is one of
the most versatile and useful tools at the speaker's disposal. Overhead projectors use a
transparent acetate film onto which an image is copied.
Blank acetate film is widely
available for photocopiers and printers. Be sure to read the "how to"
section that follows.
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ADVANTAGES
Overhead projector's are readily
available.
They are easy to use.
They project a large, bright,
and clear image without dimming the lights.
DISADVANTAGES
The motors on some projectors
may be noisy. You may have to speak a bit louder than normal, or pull the plug when you're
not using it.
Some may find the overhead
somewhat awkward, particularly when using several transparencies. Practice helps overcome
this problem.
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HOW
TO TIP:
MAKING YOUR
OWN TRANSPARENCIES
Making presentations that include
graphs, charts, and other illustrations has become a simple and efficient process.
Transparencies can be made on your computer and printer, or you can use one of the
computer based presentation systems if your speaking space is equipped with the
appropriate equipment.
Word processing programs, such
as Microsoft Word or WordPerfect, are ideal for making simple yet effective lists of key
terms or definitions you want the audience to remember, or inserting graphics.
Limit your page to a maximum of
7 lines of information [heading + 6 lines]
Use simple, bold fonts and do
not change on a slide!
Times New Roman works well.
Arial is another good choice.
Use at least a 36
point size!
If you use colors, use a maximum
of 2 per transparency, perhaps one for the heading and a second for the remaining text.
Remember, your information with
be black or color on a clear [white] background. You should make your lettering bold
and colors must be vivid.
Make sure that you include the
source of your information at the bottom of the page just as you would cite it in your
bibliography. Use 12 point type for this.
Once you're satisfied that the
item is exactly the way you want it, there are a number of different ways of getting the
image onto acetate [the clear film], each dependent on the type of printer you have
available. A word of caution: There are four different types
of transparency film [acetate] available - one each for the ink jet and laser printer, one
for photocopiers, and one for very old and poor quality thermal processors. Make sure that
you get the type for your specific application. They are not interchangeable!
A word of
caution: For ink jet printers, make sure you follow the directions on the
package. If you print on the wrong side of the transparency film, it will not dry
and the ink will run.
The laser printer offers very
sharp images that are dry when they come from the printer and are relatively permanent.
Most photocopiers have the
ability to make a transparency. On many copiers you can enlarge the original as you make
the transparency. Generally the transparency will be black and white, unless you have
access to a rather expensive and sophisticated color copier.
If you do not have a printer,or
don't want to spend the money on the transparency film - no problem. Print out a
paper copy of exactly what you want - color or black and white - and take it to a copy
shop such as Kinkos, Office Depot, Staples, or similar. Their cost for a full color
transparency from your original is modest, and is well worth the impression it will make.
Make sure that you allow plenty of time for it to be made - 24 hours is reasonable.
While many will do it while you wait, you may hit them at a time when they are very
busy.
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| POSTERS AND FLIP-CHARTS
Two classic means of displaying
original visual aids that do not require projectors are the poster and the flip-chart. All
of our earlier requirements for preparing graphics must be taken into consideration.
Posters are visual aids that are
presented on a poster board. A sheet of standard size poster board measures 22" by
28" and comes in a variety of thickness and colors. Poster board is ALWAYS
used full size - it is never cut to a smaller size! Unless you are a graphic artist you
will need to use rub-on letters, or a template. Getting letters and words spaced properly
and with even lines, can be difficult. There is always the temptation to give up and do
the job "free hand." Unfortunately, the result is usually a very amateurish aid
that distracts your audience and detracts from both your credibility and the message.
There is also the
"creative" speaker who believes that filling the poster board with a collage of
pictures about their topic will be a sufficient visual aid. Unfortunately, most of the
audience will not be able to see the individual pictures, there is seldom a point to the
supported, and it will raise more questions than it will answer. Neither does pasting a
single photograph in the middle of a poster board raise the image on the visibility scale.
The picture will still be small, it still can't be seen in the back of the room, and
you've wasted good money for the poster board on a bad idea.
Posters are used in conjunction
with an easel that will raise the poster to a height that is comfortable for you to work
with, and that all members of the audience can see with minimum effort. Place the easel
next to you and to the side opposite the hand you write with (if you're right handed,
place it to your left). The easel should be slightly forward of your position, and
you should use the hand closest to the easel to point. NEVER reach across your body
to point to something.
There is a tremendous temptation
to buy poster board that is light weight (thin), and to roll it up with a rubber-band
around it as you carry it to the speech. You will soon discover that neither light-weight
nor rolled poster board will stand on the easel. The slightest movement of air will cause
them to fall from the easel, usually at the most inopportune and distracting moment. MURPHY'S
LAW STRIKES AGAIN!
The flip-chart consists of a pad
of fairly large paper pages (usually newsprint). The tablet is hung on an easel from the
top (bound) edge either by a clamp or rings. As each page is used it is either
"flipped over" the top of the easel, or is torn off the tablet. While we don't
recommend it, the primary value of the flip chart is that you can make some last minute
illustrations (if you have to) or you can quickly sketch visual support and illustrations
in response to audience questions or feedback.
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Click here to see the PowerPoint tutorial produced by
Stephen Lucas, author of The Art of Public Speaking!
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COMPUTER
BASED MULTIMEDIA PROJECTION SYSTEMS
During recent years,
a new system of developing and projecting presentation aids has come into
prominence. These are computer based multimedia systems that allow the speaker to
integrate a wealth of still and motion images, charts and graphs, and sound. Some
presentations are so sophisticated that the speaker becomes secondary to the multimedia
presentation, something we must avoid.
Perhaps the most
effective program available for visual aids is part of the Microsoft Office package -
PowerPoint! This tool allows you develop individual frames in full color with motion
if necessary. You can incorporate photographs, charts, text, or about anything else
that you can think of. The individual frames can be linked together with smooth and
snappy transitions, or can be set to run as an uninterrupted sequence.
These presentation
aids require additional sophisticated, and expensive equipment. At minimum you need
a PC, preferably a "lap top," and a projector, either one that sits on top of an
overhead projector or one that projects a direct image.
As poster boards have
given way to transparencies, acetate will in time give way to the multimedia system for
student speeches. However, remember that it is the speaker and not the aid that is
still front and center! |
| CITATIONS
Where your information came from is
an important part of speaker credibility. Remember to include [print] a full bibliographic
citation on any visual aid, and to orally cite it in the speech. |
| A FINAL WORD
Using supporting materials in
your speech is both sensible and easy so long as you prepare well in advance. Although you
may not have the expertise to make all of the aids outlined above, you can usually find
assistance on or close to campus.
Your campus media center is your
best source for equipment, and the staff will usually know where you can get assistance
with the preparation of graphics, poster, transparencies, and the like.
The Art Department may be able
to help you find design and photography students who would like to earn some extra money
preparing the visual aid.
The computer center can be of
assistance by providing computers, software, printers, and even students to help prepare
graphics.
Full service copy centers such
as Kinko's offer a wide range of transparency, photocopy, and photographic services - but
do not expect to walk in and have your job done in 5 minutes. Plan at least a day
for them to do your job - and be pleasantly surprised if they do it sooner!
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